“Me, Myself, and Them” is a one-man play that plunges the audience into the fractured mind of Graham, a man living with schizophrenia. Alone onstage but surrounded by eight mannequins, he speaks to them as if they are real—because, to him, they are. Each mannequin embodies a distinct voice, memory, or emotion: the critic, the joker, the shadow, the twins, the passive observers, the one he hates, and the one who brings him peace.
Through darkly funny, painfully intimate storytelling, Graham shares moments that shaped him—loneliness in childhood, humiliation at his father’s funeral, a relationship destroyed by rumour and fear, and the desperate act that almost ended his life. The mannequins never speak, but their presence is constant, their imagined voices loud in his mind.
As Graham moves from affection to rage, humour to heartbreak, we witness a man wrestling with the very parts of himself he depends on to survive. Each mannequin is both enemy and lifeline, a mirror to the chaos inside him.
At its core, “Me, Myself, and Them” is about the search for peace in a mind that won’t stop talking. It’s an unflinching, human portrayal of mental illness, isolation, and the need to be understood—even if the only ones listening are the voices in your head.